Here are a few parameters that help in creative tasks and that occured to me as a result of my current project of filming one song a day, for 26 days, with each song corresponding to a letter of the alphabet, and filmed in a particular outfit.
- Have some elements of your project pre-ordained so you don’t have a chance to second guess yourself. (In my case, the song, the letter, the costume.)
- Make the ritual of setting up the shot and grooming the self be part of your process.
- Have a time limit for the product so you don’t have to deliver a perfect take. (Instagram has 1 minute limit for video.)
- Play with visual elements. (The visual realm is highly gratifying to me.)
- Be able to put the work out into the world at the moment of its completion. (Instantaneousness is gratifying.)
- Design your project to span an arc of time. This way you can gain mastery over a period of days or weeks, which builds confidence.
- Set up your daily creative assignment so that it is a healthy stretch. In other words, set yourself up for success.
The dresses on the left represent the past. The dresses on the right, the future. It’s a way to mark the passage of time, 26 days, 26 dresses. I’m making a song video for each dress, marked with a pin and a tag, A-Z. 26 songs total.
It’s not that I had trouble marking the passage of Time. I wanted to plot an orderly arc through a unruly and vibrant landscape.
On seeing photographs of Picasso sitting and walking amid large canvases and eating from plates decorated wth his drawings of fish, I realized imagery in my work could take up a larger space. . . More and more I tacked up on the wall cards, prints, and photographs, even carried them with me. Finally I took to Scotch-taping my typewritten pages on the wall. It began to make a difference in my work.
Adrienne Kennedy – people who led to my plays
Make sure you gather every piece of clothing and be sure to handle each one.
Marie Konde – The Life Changing Magic of Tidying Up
Isn’t it strange how in this digital, sensorily-amplified, modern landscape, actually touching objects, and interacting with letters, patterns, fabrics, textures, words, is a transformative, even radical, act?
Today I’m inspired by Adrienne Kennedy’s book people who led to my plays. Her headings: Chekhov and my brother; Marlon Brando; Bette Davis in NOW, VOYAGER show that any person (or event or object) can be a place marker for one’s interior revelations. I think up my own place markers: Seattle rain; A Trip to Russia; Ibsen’s A Woman From the Sea. This selection process allows the writer to spin a vast personal mythology.
At the same time, I’m following Marie Konde’s transformative approach to the magic of tidying-up, starting, as she suggests, with clothing and gathering everything into collections: tops, pants, skirts, sweaters, coats, etc,. I had to fetch myriad coats from the basement to ensure that they were all accounted for. Each piece of clothing is held so that I can hear its story – past, present and future – and then release it to fulfill its unique destiny.
Margo Lauritzen’s Transportation as Transformation Tour 2018
March 2 – Seattle, Gallery 1412 with Origami Ghosts
March 9 – Port Townsend, Rosewind Common House with Gary Lilley and Jean Mann
March 14, Austin, TX, OG Friends Fest @ SXSW
March 17, Austin, TX, Carousel Lounge with Origami Ghosts
March 22, Berkeley, CA, The Monkey House with Ariel Wang
April 13, Portland, OR, Artichoke Music – Friday Night Coffeehouse
Girl leaving subway platform: It’s okay, I’m just wandering, I can get lost.
Helpful lady: You don’t have to get lost, your train could be on this platform.
And now ladies and gentlemen. . . we’ve reached the halfway mark on our Love Ride!
And just to show that it’s not all fun and games, I’m gonna drop it down and play a demo I recorded in Fall of 2013. The later version of this song has all sorts of bells and whistles – but I think the early version possesses its own quiet Beauty. And speaking of Beauty, have you ever noticed how those dark moments of the soul become hinges that let more light into your life than you ever thought possible?
This song takes me to the ocean really. It breezes along, actually I used to think of it as a bit Beach Boy-ish in melody and mood.
So why did I match this song with Disillusion, which my dictionary says, refers to an instance of disenchantment?
Let’s go back to the shore, the waves. It’s magical, right? But the ground isn’t really solid, it’s composed of billions of shifting particles, granules of mountains. And the horizon, your point of reference, what is it but vapor molecules condensing and evaporating? Likewise, anything or anyone you cling to is liable to switch allegiances with the waxing, waning moon.
Still, the beach is a treat, it’s ample balm for the divesting of illusions. As is this song – whose catalyst is just about washed clean from my memory. . .