Two Forms of Memoir Part 2 : the Tactile as Vessels of Transformation

On seeing photographs of Picasso sitting and walking amid large canvases and eating from plates decorated wth his drawings of fish, I realized imagery in my work could take up a larger space. . . More and more I tacked up on the wall cards, prints, and photographs, even carried them with me. Finally I took to Scotch-taping my typewritten pages on the wall. It began to make a difference in my work.

Adrienne Kennedy – people who led to my plays

scotchtape

Make sure you gather every piece of clothing and be sure to handle each one.

Marie Konde – The Life Changing Magic of Tidying Up

clothes

Isn’t it strange how in this digital, sensorily-amplified, modern landscape, actually touching objects, and interacting with letters, patterns, fabrics, textures, words, is a transformative, even radical, act?

 

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Two Forms of Memoir

Today I’m inspired by Adrienne Kennedy’s book people who led to my plays.  Her headings: Chekhov and my brother; Marlon Brando; Bette Davis in NOW, VOYAGER show that any person (or event or object) can be a place marker for one’s interior revelations. I think up my own place markers: Seattle rain; A Trip to Russia; Ibsen’s A Woman From the Sea. This selection process allows the writer to spin a vast personal mythology.AdrienneK.JPG

 

At the same time, I’m following Marie Konde’s transformative approach to the magic of tidying-up, starting, as she suggests, with clothing and gathering everything into collections: tops, pants, skirts, sweaters, coats, etc,. I had to fetch myriad coats from the basement to ensure that they were all accounted for. Each piece of clothing is held so that I can hear its story – past, present and future – and then release it to fulfill its unique destiny.

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